Year

2021

Credit points

10

Campus offering

No unit offerings are currently available for this unit

Prerequisites

Nil

Unit rationale, description and aim

Scholars in the liberal arts and humanities need to understand the significance of the social and cultural changes that have taken place since World War II from a range of disciplinary perspectives. This unit examines the various ways in which key issues and events in the long 1960s have been understood across a range of disciplines. This honours-level unit requires students to extend their studies in the arts and humanities by exploring related disciplinary understandings of the controversial events, thinkers and cultural producers that shaped the key cultural movements and their legacies in the late twentieth century. The aim of the unit is to deepen students understanding of their own discipline area and broaden their contextual knowledge through connecting their own disciplinary perspectives to other approaches, methodologies and conceptual frameworks in the arts and humanities disciplines.

Learning outcomes

To successfully complete this unit you will be able to demonstrate you have achieved the learning outcomes (LO) detailed in the below table.

Each outcome is informed by a number of graduate capabilities (GC) to ensure your work in this, and every unit, is part of a larger goal of graduating from ACU with the attributes of insight, empathy, imagination and impact.

Explore the graduate capabilities.

On successful completion of this unit, students should be able to:

LO1 - Articulate and apply advanced theoretical knowledge across a range of disciplines to the   significant issues and events of the late twentieth century (GA4; GA5; GA8)

LO2 - Critically analyse and evaluate complex debates and ideas across a range of disciplines, by generating and transmitting sustained arguments in relation to them (GA4; GA5; GA6; GA8)

LO3 - Relate advanced discipline-specific skills to transform and transmit information to complete a range of activities (GA5; GA7; GA9; GA10).

Graduate attributes

GA4 - think critically and reflectively 

GA5 - demonstrate values, knowledge, skills and attitudes appropriate to the discipline and/or profession 

GA6 - solve problems in a variety of settings taking local and international perspectives into account

GA7 - work both autonomously and collaboratively 

GA8 - locate, organise, analyse, synthesise and evaluate information 

GA9 - demonstrate effective communication in oral and written English language and visual media 

GA10 - utilise information and communication and other relevant technologies effectively.

Content

Topics may include:

  • Postmodernity as theoretical and cultural practice
  • Radical and reactionary politics of the 1960s and 1970s
  • Decolonization and the global pan-Indigenous movement
  • The rise of new social movements, including civil rights, second-wave feminism and gay liberation
  • Awareness of and responses to the global ecological crisis
  • Class and selfhood in the era of mass consumption
  • New age spiritualities and countercultural currents in established religions
  • Countercultural subcultures
  • Cultural and artistic movements of the counterculture (rock and roll, folk, beat poetry, postmodern art, the psychedelic movement etc)
  • Innovation, technology and new media in the information age

Learning and teaching strategy and rationale

Mode: Online: Workshops, web consultation, online seminars, computer workshops, online library tasks and online seminar presentations.

This fully online multidisciplinary unit at honours level enables students to deepen their knowledge and understanding of their own discipline and provides them with broader disciplinary perspectives on the production of scholarship. Through engagement and dialogue between disciplines, this unit promotes an important self-reflexivity in relation to their own discipline. Through this approach, students will come to understand the value of interdisciplinary approaches to the production of knowledge in the liberal arts and humanities. The unit embraces active learning involving online activities through which students will: 

1)     gain a deep understanding of the content covered in the unit.

The activities in this unit include reading, writing, discussion and online debates aimed at promoting analysis and synthesis of class content. Students will examine a range of perspectives in order to understand the complex relationships between disciplinary approaches to the key events and issues that shaped the long 1960s.

2)     acquire, develop and hone skills fundamental to their discipline.

This will include the sharpening of skills relevant to their discipline including the ability to understand disciplinary methodologies, and how they intersect with methodologies in other disciplines, identify high-quality secondary sources and incorporate them into their own research and analysis. Students will acquire the ability to take a position within debates and to communicate their findings in a scholarly manner.

This unit has been designed to ensure that the time needed to complete the required volume of learning to the requisite standard is approximately 150 hours in total across the semester. To achieve a passing standard in this unit, students will find it helpful to engage in the full range of learning activities and assessments utilised in this unit, as described in the learning and teaching strategy and the assessment strategy. The learning and teaching and assessment strategies include a range of approaches to support your learning such as lectures, tutorials, reading, reflection, discussion, research, prepare seminar presentations or assessment tasks for the unit, skills workshops, and assignments etc.

Assessment strategy and rationale

A range of assessment procedures will be used to meet the unit learning outcomes and develop graduate attributes consistent with University assessment requirements. The assessment tasks and their weighting for this unit are designed to demonstrate achievement of each learning outcome. In order to pass this unit, students are required to submit and participate in all assessment tasks. 

The first assessment task develops a broad understanding of the range of disciplinary perspectives and approaches to the significant changes that took place from the 1960s. This requires students to synthesise and critically engage with unit content

The second task requires students to communicate their own disciplinary knowledge to their peers in an online forum and for all students to engage with and respond to the perspectives of others. This task will develop advanced online skills and will enhance students’ digital literacy.

The third assessment invites students to explore in depth a particular aspect of the long 1960s through the lens of their own discipline. 

Overview of assessments

Brief Description of Kind and Purpose of Assessment TasksWeightingLearning OutcomesGraduate Attributes

Assessment Task 1

Online tasks:

During the unit, students will complete activities that demonstrate understanding of key concepts and build skills in digital literacy, problem solving and creativity. These will be designed to connect to their own discipline as well as the multidisciplinary resources of the unit.  

30%

LO1, LO2

GA4, GA5, GA6, GA7, GA9

Assessment Task 2

Seminar Paper or multimodal presentation:

Students will present their research and critically engage with the presentations of their fellow students.

20%

LO1, LO2, LO3

GA4, GA5, GA6, GA7, GA8, GA9, GA10

Assessment Task 3

Written Essay:

Students will prepare a reflective essay, relating their experience to some of the key concepts, debates and methods in their field

Or

Students will prepare a research essay in their disciplinary area that responds to one of the key themes of the unit.

50%

LO1, LO2, LO3

GA4, GA5, GA6, GA7, GA8, GA9

Representative texts and references

Bindas, Kenneth, America’s Musical Pulse: Popular Music in Twentieth-century Society. Greenwood Press, 1992

Crow, Thomas, The Rise of the Sixties, 1955-69. London: Calmann and King, 1996

Doss, Erika, Twentieth-Century American Art. Oxford University Press, 2002

Fischer, Klaus, White, Black, and Gray: A History of the Stormy 1960s. London, Bloomsbury. 2006. 

Marwirk, Arthur, The Sixties: Cultural Transformation in Britain, France, Italy and the United States, c. 1958 - c. 1974. Oxford: Oxford University Press, 2000

McKay, George, Summer of Love: Psychedelic Art, Social Crisis and Countercultures in the 1960s. Liverpool: Liverpool University Press, 2005.

Vinen, Richard, 1968: Radical Protest and its Enemies, London: Allen Lane, 2018.

Willett, Graham, Living Out Loud: A History of Gay and Lesbian Activism in Australia, Sydney: Allen & Unwin, 2000.

Whiteley, Sheila, Jedediah Sklower, and Gina Arnold. Countercultures and Popular Music. Ashgate Popular and Folk Music Series. 2014.

Wollen, Peter, Raiding the Ice Box: Reflections on Twentieth-Century Culture. Verso: University of California Press, 2008.

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